Thursday, December 31, 2009
Favorites of 2009
(taken from CW Blog)
The first decade of the new millennium is coming to an end, and what better way to cap it off than with a fantastic year of music. Sure, the industry may be crumbling right before our very eyes, but that didn’t deter artists from coming out with some great tunes.
I discovered a bunch of new (and very awesome!) bands along the way, such as Grizzly Bear, Metric, and Passion Pit, and played the crap out of beloved favs like the Yeah Yeah Yeah’s and Brand New. Well-established front men like Jack White and Julian Casablancas dabbled into new musical territory with their side projects, while Jay-Z continued to impress us with his familiar hit-making formula. We saw the glorious rise of Phoenix, but were stunned by the tragic death of the King of Pop. However, ‘tis not a time to mourn, but to celebrate! Here’s looking to another year of incredible music, and hoping that the music industry will live to see another day. Cheers!
Favorite Albums of 2009:
1. The Avett Brothers- I And Love And You
2. Audrye Sessions- Audrye Sessions
3. Yeah Yeah Yeah’s- It’s Blitz!
4. Thrice- Beggars
5. fun.- Aim and Ignite
6. Metric- Fantasies
7. Grizzly Bear- Veckatimest
8. Silversun Pickups- Swoon
9. Jay-Z- The Blueprint 3
10. Paramore- brand new eyes
11. 30 Seconds to Mars- This Is War
12. Brand New- Daisy
13. Phoenix- Wolfgang Amadeus Phoenix
14. Muse- The Resistance
15. Passion Pit- Manners
16. Regina Spektor- Far
17. The Dead Weather- Horehound
18. Tegan and Sara- Sainthood
19. Imogen Heap- Ellipse
20. Julian Casablancas- Phrazes for the Young
Honorable Mentions:
Animal Collective- Merriweather Post Pavilion
Dead Man’s Bones- Dead Man’s Bones
Barcelona- Absolutes
MUTEMATH- Armistice
Kid Cudi- Man on the Moon
The xx- xx
---------------------------------------------------------------------------
Favorite Shows of 2009
1. Dashboard Confessional/New Found Glory @ Slim's
2. Rodrigo y Gabriela @ Fox Theater
3. Coldplay @ Shoreline Ampitheater
4. No Doubt/Paramore @ Shoreline Ampitheater
5. Yeah Yeah Yeah's @ Fox Theater
Favorite Albums of the Decade (2000-2010)
1. Death Cab for Cutie- Transatlanticism
2. Arcade Fire- Funeral
3. Radiohead- Kid A
4. Beck- Sea Change
5. Yeah Yeah Yeah’s- Fever to Tell
6. At the Drive-In- Relationship of Command
7. Deftones- White Pony
8. Thrice- Vheissu
9. Linkin Park- Hybrid Theory
10. Jimmy Eat World- Bleed American
11. Bright Eyes- I’m Wide Awake, It’s Morning
12. Brand New- Your Favorite Weapon
13. Postal Service- Give Up
14. Saves the Day- Stay What You Are
15. The Format- Dog Problems
16. Glassjaw- Worship and Tribute
17. Taking Back Sunday- Tell All Your Friends
18. AFI- Sing the Sorrow
19. Paramore- Riot
20. The Killer’s- Hot Fuss
The first decade of the new millennium is coming to an end, and what better way to cap it off than with a fantastic year of music. Sure, the industry may be crumbling right before our very eyes, but that didn’t deter artists from coming out with some great tunes.
I discovered a bunch of new (and very awesome!) bands along the way, such as Grizzly Bear, Metric, and Passion Pit, and played the crap out of beloved favs like the Yeah Yeah Yeah’s and Brand New. Well-established front men like Jack White and Julian Casablancas dabbled into new musical territory with their side projects, while Jay-Z continued to impress us with his familiar hit-making formula. We saw the glorious rise of Phoenix, but were stunned by the tragic death of the King of Pop. However, ‘tis not a time to mourn, but to celebrate! Here’s looking to another year of incredible music, and hoping that the music industry will live to see another day. Cheers!
Favorite Albums of 2009:
1. The Avett Brothers- I And Love And You
2. Audrye Sessions- Audrye Sessions
3. Yeah Yeah Yeah’s- It’s Blitz!
4. Thrice- Beggars
5. fun.- Aim and Ignite
6. Metric- Fantasies
7. Grizzly Bear- Veckatimest
8. Silversun Pickups- Swoon
9. Jay-Z- The Blueprint 3
10. Paramore- brand new eyes
11. 30 Seconds to Mars- This Is War
12. Brand New- Daisy
13. Phoenix- Wolfgang Amadeus Phoenix
14. Muse- The Resistance
15. Passion Pit- Manners
16. Regina Spektor- Far
17. The Dead Weather- Horehound
18. Tegan and Sara- Sainthood
19. Imogen Heap- Ellipse
20. Julian Casablancas- Phrazes for the Young
Honorable Mentions:
Animal Collective- Merriweather Post Pavilion
Dead Man’s Bones- Dead Man’s Bones
Barcelona- Absolutes
MUTEMATH- Armistice
Kid Cudi- Man on the Moon
The xx- xx
---------------------------------------------------------------------------
Favorite Shows of 2009
1. Dashboard Confessional/New Found Glory @ Slim's
2. Rodrigo y Gabriela @ Fox Theater
3. Coldplay @ Shoreline Ampitheater
4. No Doubt/Paramore @ Shoreline Ampitheater
5. Yeah Yeah Yeah's @ Fox Theater
Favorite Albums of the Decade (2000-2010)
1. Death Cab for Cutie- Transatlanticism
2. Arcade Fire- Funeral
3. Radiohead- Kid A
4. Beck- Sea Change
5. Yeah Yeah Yeah’s- Fever to Tell
6. At the Drive-In- Relationship of Command
7. Deftones- White Pony
8. Thrice- Vheissu
9. Linkin Park- Hybrid Theory
10. Jimmy Eat World- Bleed American
11. Bright Eyes- I’m Wide Awake, It’s Morning
12. Brand New- Your Favorite Weapon
13. Postal Service- Give Up
14. Saves the Day- Stay What You Are
15. The Format- Dog Problems
16. Glassjaw- Worship and Tribute
17. Taking Back Sunday- Tell All Your Friends
18. AFI- Sing the Sorrow
19. Paramore- Riot
20. The Killer’s- Hot Fuss
Live 105's Not So Silent Night @ Oracle Arena- 12/11/09
Here's another late show review.
Actually, let me preface by saying that although this might've be one of the best concerts I've been to this year, this is one I'd much rather forget, not because of any bad performances, but rather the circumstances surrounding the concert.
Never bring a drunken ass-hole stoner as your date to a concert! Lesson learned. (The idiot actually feel asleep during Muse's set...frickin MUSE, man! How do you do that?!?! Seriously. Idiot missed out.) And to think... I actually liked the guy. Oh well, at least now I know to keep away from him. I needed to shake him off my system. He was no good.
Anyway, Muse put on a kick-ass show as always...
(review taken from CW Blog)
A couple of years ago, I made one of the worst concert-going decisions ever.
The British band Muse came to play at the Bill Graham Civic Auditorium, and I missed the chance to see them, opting instead for an Amber Pacific show at Slim’s. Big mistake. From then on, I vowed that if Muse ever had another show in the Bay Area, I would be there. So, as soon as I heard Muse was headlining this year’s Not So Silent Night, I made sure to hop on those tix immediately.
The sold-out crowd packed into the Oracle Arena this past Friday night to witness one of the hottest live acts on the planet, along with other amazing bands such as Metric, Vampire Weekend, 30 Seconds to Mars, and AFI.
Winners of the local band showcase Scene of Action kicked off NSSN 2009, followed by Metric, who played a fantastic and memorable, yet all too short set. Vampire Weekend were charming as always, playing some fan favorites, as well as tracks from their upcoming sophomore release, “Contra,” due in stores Jan. 12.
The noise and energy level went up a few notches as 30 Seconds to Mars took to the stage. Front man/heartthrob Jared Leto really got the audience going when he encouraged them to crowd surf, even joining in the fun himself at one point. Everything was going perfect until a technical glitch caused the sound to cut off during the band’s performance of their latest single “Kings and Queens.” The Los Angeles trio handled the mess quite well, carrying on with a smile and finishing off their set in strong fashion.
Local boys AFI emerged onto the stage to the warm cheers of the welcoming crowd, who were ecstatic to see the return of their hometown heroes. In addition to promoting the band’s new album, “Crash Love,” vocalist Davey Havok flaunted a new look of his own, appearing like a cross between Morrissey and David Bowie, with his quiff-ish ‘do and shiny gold suit. The band’s goth-punk sound stirred the floor into a flurry of mosh pits. The group put on a dynamic display of twirling, kicking, jumping, and mic swinging, undoubtedly leaving their mark on the crowd.
Normally, this would be a tough act to follow, but to a band like Muse, this was nothing. The British trio were able to get almost the entire arena off their feet, opening up with the title track to their recently-released fifth album, “The Resistance.” Muse’s larger-than-life, arena-rock sound incited fist-pumps and loud chants aplenty. Drummer Dominic Howard pounded the skins like a possessed beast, with Christopher Wolstenholme’s chest-thumping bass lines enhancing every beat. Singer-songwriter-guitarist Matthew Bellamy cranked out the raucously distorted guitar solos, while belting out the apocalyptic tunes like there was no tomorrow. The crowd went crazy for classics like “New Born,” Plug-In Baby,” and “Hysteria,” but perhaps one of the highlights of the night came as the band performed their catchy and anthemic current single, “Uprising.” The group heroically capped off the night with their out-of-this-world epic, “Knights of Cydonia.”
Muse have already established themselves as international superstars, still they have yet to strike it big stateside. But, based on the reception of their performance last Friday night, I have a feeling that it won’t be long till they finally take over the US.
(Clip of Muse playing Uprising. Enjoy!)
Actually, let me preface by saying that although this might've be one of the best concerts I've been to this year, this is one I'd much rather forget, not because of any bad performances, but rather the circumstances surrounding the concert.
Never bring a drunken ass-hole stoner as your date to a concert! Lesson learned. (The idiot actually feel asleep during Muse's set...frickin MUSE, man! How do you do that?!?! Seriously. Idiot missed out.) And to think... I actually liked the guy. Oh well, at least now I know to keep away from him. I needed to shake him off my system. He was no good.
Anyway, Muse put on a kick-ass show as always...
(review taken from CW Blog)
A couple of years ago, I made one of the worst concert-going decisions ever.
The British band Muse came to play at the Bill Graham Civic Auditorium, and I missed the chance to see them, opting instead for an Amber Pacific show at Slim’s. Big mistake. From then on, I vowed that if Muse ever had another show in the Bay Area, I would be there. So, as soon as I heard Muse was headlining this year’s Not So Silent Night, I made sure to hop on those tix immediately.
The sold-out crowd packed into the Oracle Arena this past Friday night to witness one of the hottest live acts on the planet, along with other amazing bands such as Metric, Vampire Weekend, 30 Seconds to Mars, and AFI.
Winners of the local band showcase Scene of Action kicked off NSSN 2009, followed by Metric, who played a fantastic and memorable, yet all too short set. Vampire Weekend were charming as always, playing some fan favorites, as well as tracks from their upcoming sophomore release, “Contra,” due in stores Jan. 12.
The noise and energy level went up a few notches as 30 Seconds to Mars took to the stage. Front man/heartthrob Jared Leto really got the audience going when he encouraged them to crowd surf, even joining in the fun himself at one point. Everything was going perfect until a technical glitch caused the sound to cut off during the band’s performance of their latest single “Kings and Queens.” The Los Angeles trio handled the mess quite well, carrying on with a smile and finishing off their set in strong fashion.
Local boys AFI emerged onto the stage to the warm cheers of the welcoming crowd, who were ecstatic to see the return of their hometown heroes. In addition to promoting the band’s new album, “Crash Love,” vocalist Davey Havok flaunted a new look of his own, appearing like a cross between Morrissey and David Bowie, with his quiff-ish ‘do and shiny gold suit. The band’s goth-punk sound stirred the floor into a flurry of mosh pits. The group put on a dynamic display of twirling, kicking, jumping, and mic swinging, undoubtedly leaving their mark on the crowd.
Normally, this would be a tough act to follow, but to a band like Muse, this was nothing. The British trio were able to get almost the entire arena off their feet, opening up with the title track to their recently-released fifth album, “The Resistance.” Muse’s larger-than-life, arena-rock sound incited fist-pumps and loud chants aplenty. Drummer Dominic Howard pounded the skins like a possessed beast, with Christopher Wolstenholme’s chest-thumping bass lines enhancing every beat. Singer-songwriter-guitarist Matthew Bellamy cranked out the raucously distorted guitar solos, while belting out the apocalyptic tunes like there was no tomorrow. The crowd went crazy for classics like “New Born,” Plug-In Baby,” and “Hysteria,” but perhaps one of the highlights of the night came as the band performed their catchy and anthemic current single, “Uprising.” The group heroically capped off the night with their out-of-this-world epic, “Knights of Cydonia.”
Muse have already established themselves as international superstars, still they have yet to strike it big stateside. But, based on the reception of their performance last Friday night, I have a feeling that it won’t be long till they finally take over the US.
(Clip of Muse playing Uprising. Enjoy!)
New Found Glory/Dashboard Confessional @ Slim's- 12/2/09
So I know that this entry is just a tad late, but better late than never right? As previously assured, here's the review of the special NFG/DC show at Slim's that happened earlier this month:
(review taken from my blog on the CW Website):
Dashboard Confessional and New Found Glory @ Slim’s
It was like I traveled back in time to high school last Wednesday night.
Dashboard Confessional, along with guests New Found Glory, stopped by Slim’s on December 2nd to play a special acoustic show, introducing a few new tracks off their latest albums, as well as pleasing die-hard fans with some old school material.
New Found Glory appeared as if they were ready to crash a prom, coming out with their matching tuxedo t-shirts. The pop-punkers are known for their deafeningly high-energy shows, so playing unplugged was a bit of awkward for them at first, but vocalist Jordan Pundik and guitarist Chad Gilbert decided to break the ice by sharing a few hilarious stories of the different pranks they played upon each other, triggering the crowd into a fit of laughter. The band hit their stride with the more sensitive acoustic version of “My Friends Over You,” then astonished the audience by segueing into a cover of “Brick” by Ben Folds. The band spread some holiday cheer, ending their set with “The Christmas Song.”
All of New Found Glory’s work of hyping up the crowd paid off when Dashboard Confessional, as represented by front man Chris Carrabba and accompanying member John Lefler, surfaced onto the stage to the thrilled cheers of the audience.
Chris hasn’t seemed to change at all. Dressed in a plaid shirt, with sleeves cuffed up to reveal his tattooed forearms and dark hair slicked-back, the emo icon looked just the same as he did when he first emerged onto the scene. Much to the surprise of the audience, DC opened up with an old fan-favorite “A Plain Morning.” Following up with “The Places You Have Come to Fear the Most,” Chris encouraged a round of sing-along by stepping away from the mic, allowing the crowd to sing the majority of the vocals. Throughout the set, it felt as if we, the audience, were as much the stars of the show as the other two members of the band. They played a good mix of new and old, testing out some new tracks like, “Until Morning” and “Belle of the Boulevard, while including several old goodies such as “Swiss Army Romance,” “Brilliant Dance,” and “Screaming Infidelities.” Dashboard Confessional ended the night in epic fashion, performing 2001’s “So Impossible EP” in its entirety and, of course, in order-- “For You to Notice”, “So Impossible”, “Remember to Breathe”, and finally the well-loved “Hands Down”.
Dashboard Confessional’s “Alter the Ending” and New Found Glory’s “Not Without a Fight” are out now. Do yourself a favor and grab copies of both!
http://www.myspace.com/dashboardconfessional
http://www.myspace.com/newfoundglory
Some snippets from the show (Belle of the Blvd, Screaming Infidelities):
(review taken from my blog on the CW Website):
Dashboard Confessional and New Found Glory @ Slim’s
It was like I traveled back in time to high school last Wednesday night.
Dashboard Confessional, along with guests New Found Glory, stopped by Slim’s on December 2nd to play a special acoustic show, introducing a few new tracks off their latest albums, as well as pleasing die-hard fans with some old school material.
New Found Glory appeared as if they were ready to crash a prom, coming out with their matching tuxedo t-shirts. The pop-punkers are known for their deafeningly high-energy shows, so playing unplugged was a bit of awkward for them at first, but vocalist Jordan Pundik and guitarist Chad Gilbert decided to break the ice by sharing a few hilarious stories of the different pranks they played upon each other, triggering the crowd into a fit of laughter. The band hit their stride with the more sensitive acoustic version of “My Friends Over You,” then astonished the audience by segueing into a cover of “Brick” by Ben Folds. The band spread some holiday cheer, ending their set with “The Christmas Song.”
All of New Found Glory’s work of hyping up the crowd paid off when Dashboard Confessional, as represented by front man Chris Carrabba and accompanying member John Lefler, surfaced onto the stage to the thrilled cheers of the audience.
Chris hasn’t seemed to change at all. Dressed in a plaid shirt, with sleeves cuffed up to reveal his tattooed forearms and dark hair slicked-back, the emo icon looked just the same as he did when he first emerged onto the scene. Much to the surprise of the audience, DC opened up with an old fan-favorite “A Plain Morning.” Following up with “The Places You Have Come to Fear the Most,” Chris encouraged a round of sing-along by stepping away from the mic, allowing the crowd to sing the majority of the vocals. Throughout the set, it felt as if we, the audience, were as much the stars of the show as the other two members of the band. They played a good mix of new and old, testing out some new tracks like, “Until Morning” and “Belle of the Boulevard, while including several old goodies such as “Swiss Army Romance,” “Brilliant Dance,” and “Screaming Infidelities.” Dashboard Confessional ended the night in epic fashion, performing 2001’s “So Impossible EP” in its entirety and, of course, in order-- “For You to Notice”, “So Impossible”, “Remember to Breathe”, and finally the well-loved “Hands Down”.
Dashboard Confessional’s “Alter the Ending” and New Found Glory’s “Not Without a Fight” are out now. Do yourself a favor and grab copies of both!
http://www.myspace.com/dashboardconfessional
http://www.myspace.com/newfoundglory
Some snippets from the show (Belle of the Blvd, Screaming Infidelities):
Thursday, December 3, 2009
Wednesday, October 21, 2009
Weezer Show
I'm so bummed I wasn't able to go to the free Weezer concert. Ugh.
Watching it on live stream, though:
Video streaming by Ustream
Watching it on live stream, though:
Video streaming by Ustream
Saturday, September 26, 2009
Rodrigo y Gabriela @ Fox Theater
I also had the chance to see Rodrigo y Gabriela earlier this week, as well (thanks for the hook up, CW!). Check out my review and some pics on the CW Website, or read below:
(From CWBayArea Website)
Rodrigo y Gabriela @ Fox Theater 9/23/09
On Wednesday night, the acoustic folk-metal duo Rodrigo y Gabriela laid down a fierce assault of rapid-fire guitar work on the sold out crowd at Oakland's Fox Theater. The Dublin-based, Mexican-born pair are touring in support of their latest album 11:11, incorporating many of their new songs into the set list.
Witnessing a performance by Rodrigo y Gabriela is practically indescribable. It's like being swallowed up in a chaotic hurricane, getting chewed up and spit back out in a daze of astonishment, wondering what just happened. Their show had all the raucousness of a metal concert, minus the annoying mosh pits, but with strobe lights, headbanging, and devil horns aplenty. The duo's love for thrash metal is obvious. Towards the middle of their set, Gabriela gave a speech on how their recent effort was a tribute to the metal gods who have inspired them, mentioning the fallen Dimebag Darrell in particular, to which the crowd gave a thunderous round of applause.
For most of the show, the two were hunched-over in stance, with their noses close to their guitars, demonstrating a great amount of skill and command over their instruments. The two also had no trouble establishing a sense of authority over the crowd. With the raising of his arms, Rodrigo riled up the congregation, getting them to clap, jump and chant "hey," as Gabriela did her part. They were our domineering guitar-masters, and we were their submissive slaves, bowing down and obeying their every whim.
The chemistry between the duo is evermore transparent on-stage, as the two play off each other in fluid fashion. Gabriela emanates a graceful presence, but unleashes her inner-beast through an attack of percussion on the body of her guitar, thumping and beating in intense spasms of palm-slaps. On the other side, you have Rodrigo, known for his audaciously powerful solos, but who is at the same time flirtatious, teasing the eager audience with little snippets here and there, infusing the likes of Rage Against the Machine and The White Stripes into a musical medley.
As a first-timer, my mouth was left open after the experience, thoroughly blown away by what had transpired. In the end, the duo received a standing ovation. An epic end to an epic show.
A snippet of RodyGab from the show:
(From CWBayArea Website)
Rodrigo y Gabriela @ Fox Theater 9/23/09
On Wednesday night, the acoustic folk-metal duo Rodrigo y Gabriela laid down a fierce assault of rapid-fire guitar work on the sold out crowd at Oakland's Fox Theater. The Dublin-based, Mexican-born pair are touring in support of their latest album 11:11, incorporating many of their new songs into the set list.
Witnessing a performance by Rodrigo y Gabriela is practically indescribable. It's like being swallowed up in a chaotic hurricane, getting chewed up and spit back out in a daze of astonishment, wondering what just happened. Their show had all the raucousness of a metal concert, minus the annoying mosh pits, but with strobe lights, headbanging, and devil horns aplenty. The duo's love for thrash metal is obvious. Towards the middle of their set, Gabriela gave a speech on how their recent effort was a tribute to the metal gods who have inspired them, mentioning the fallen Dimebag Darrell in particular, to which the crowd gave a thunderous round of applause.
For most of the show, the two were hunched-over in stance, with their noses close to their guitars, demonstrating a great amount of skill and command over their instruments. The two also had no trouble establishing a sense of authority over the crowd. With the raising of his arms, Rodrigo riled up the congregation, getting them to clap, jump and chant "hey," as Gabriela did her part. They were our domineering guitar-masters, and we were their submissive slaves, bowing down and obeying their every whim.
The chemistry between the duo is evermore transparent on-stage, as the two play off each other in fluid fashion. Gabriela emanates a graceful presence, but unleashes her inner-beast through an attack of percussion on the body of her guitar, thumping and beating in intense spasms of palm-slaps. On the other side, you have Rodrigo, known for his audaciously powerful solos, but who is at the same time flirtatious, teasing the eager audience with little snippets here and there, infusing the likes of Rage Against the Machine and The White Stripes into a musical medley.
As a first-timer, my mouth was left open after the experience, thoroughly blown away by what had transpired. In the end, the duo received a standing ovation. An epic end to an epic show.
A snippet of RodyGab from the show:
One Eskimo @ Hotel Utah
Hello everyone. I had the chance to attend a One Eskimo show at Hotel Utah earlier this week (c/o CW). You could catch my review and some pics of the show up on the CW Website. Or you can also read below:
(From CWBayArea Website)
One Eskimo @ Hotel Utah
One Eskimo, a four-piece indie band from the UK, take a uniquely fun and imaginative approach to their music. Using animation to extend the reach of their songs, the quartet have released a series of videos about a darling little Eskimo and his adorable animal friends with the band's lightheartedly poignant tunes serving as the background. The result is no less than magical. Last night, I got the chance to see the blokes behind this charming creation, and even without any extra visuals, their semi-acoustic performance was fantastically delightful.
Hotel Utah's quaint atmosphere proved to be the perfect venue to showcase the intimate nature of the group's melancholy, laid-back music. Vocalist Kristian Leontiou was spot on, hitting his notes with precision and exuding a powerful range of emotion. With eyes closed and not knowing any better, I would've sworn that I was listening to the tracks straight from the album. That's how great One Eskimo's live show was - getting every little detail down, from the rich toots of the flugelhorn to the tinkling synth/electronic elements. With minimal interruptions, the coy, yet charismatic British lads, seamlessly went from one song into the next, creating a wonderful musical excursion.
One Eskimo's debut full-length "All Balloons" was released the same day, September 22. Make sure to pick up your copy soon!
http://www.myspace.com/oneeskimo
Album available now on iTunes: Deluxe & Standard
One Eskimo playing "Astronauts"
(From CWBayArea Website)
One Eskimo @ Hotel Utah
One Eskimo, a four-piece indie band from the UK, take a uniquely fun and imaginative approach to their music. Using animation to extend the reach of their songs, the quartet have released a series of videos about a darling little Eskimo and his adorable animal friends with the band's lightheartedly poignant tunes serving as the background. The result is no less than magical. Last night, I got the chance to see the blokes behind this charming creation, and even without any extra visuals, their semi-acoustic performance was fantastically delightful.
Hotel Utah's quaint atmosphere proved to be the perfect venue to showcase the intimate nature of the group's melancholy, laid-back music. Vocalist Kristian Leontiou was spot on, hitting his notes with precision and exuding a powerful range of emotion. With eyes closed and not knowing any better, I would've sworn that I was listening to the tracks straight from the album. That's how great One Eskimo's live show was - getting every little detail down, from the rich toots of the flugelhorn to the tinkling synth/electronic elements. With minimal interruptions, the coy, yet charismatic British lads, seamlessly went from one song into the next, creating a wonderful musical excursion.
One Eskimo's debut full-length "All Balloons" was released the same day, September 22. Make sure to pick up your copy soon!
http://www.myspace.com/oneeskimo
Album available now on iTunes: Deluxe & Standard
One Eskimo playing "Astronauts"
Monday, September 21, 2009
New Moon Tracklisting
Today, Stephanie Meyer announced on her website all of the bands that will be included on the New Moon Soundtrack.
Tracklisting from website:
* DEATH CAB FOR CUTIE — MEET ME ON THE EQUINOX
* BAND OF SKULLS — FRIENDS
* THOM YORKE — HEARING DAMAGE
* LYKKE LI — POSSIBILITY
* THE KILLERS — A WHITE DEMON LOVE SONG
* ANYA MARINA — SATELLITE HEART
* MUSE — I BELONG TO YOU (NEW MOON REMIX)
* BON IVER & ST. VINCENT — ROSYLN
* BLACK REBEL MOTORCYCLE CLUB — DONE ALL WRONG
* HURRICANE BELLS — MONSTERS
* SEA WOLF — THE VIOLET HOUR
* OK GO — SHOOTING THE MOON
* GRIZZLY BEAR — SLOW LIFE
* EDITORS — NO SOUND BUT THE WIND
* ALEXANDRE DESPLAT — NEW MOON (THE MEADOW)
The line-up looks phenomenal. I mean Death Cab, Thom York, The Killers, Muse, Grizzly Bear, Bon Iver all in one album!! Can't get any better than that. I'm definitely picking this up, as should you! You can pre-order your copy on amazon.com.
Tracklisting from website:
* DEATH CAB FOR CUTIE — MEET ME ON THE EQUINOX
* BAND OF SKULLS — FRIENDS
* THOM YORKE — HEARING DAMAGE
* LYKKE LI — POSSIBILITY
* THE KILLERS — A WHITE DEMON LOVE SONG
* ANYA MARINA — SATELLITE HEART
* MUSE — I BELONG TO YOU (NEW MOON REMIX)
* BON IVER & ST. VINCENT — ROSYLN
* BLACK REBEL MOTORCYCLE CLUB — DONE ALL WRONG
* HURRICANE BELLS — MONSTERS
* SEA WOLF — THE VIOLET HOUR
* OK GO — SHOOTING THE MOON
* GRIZZLY BEAR — SLOW LIFE
* EDITORS — NO SOUND BUT THE WIND
* ALEXANDRE DESPLAT — NEW MOON (THE MEADOW)
The line-up looks phenomenal. I mean Death Cab, Thom York, The Killers, Muse, Grizzly Bear, Bon Iver all in one album!! Can't get any better than that. I'm definitely picking this up, as should you! You can pre-order your copy on amazon.com.
Wednesday, September 16, 2009
Tuesday, September 15, 2009
Meet Me on the Equinox
Death Cab for Cutie + Twilight= Best. combo. ever.
If you haven't already checked it out, here's Death Cab's 'New Moon' Single. It's funny because Ben Gibbard didn't even read the whole series, yet the song encompasses the tone of the books so well! Oh Ben, you are a genius.
If you haven't already checked it out, here's Death Cab's 'New Moon' Single. It's funny because Ben Gibbard didn't even read the whole series, yet the song encompasses the tone of the books so well! Oh Ben, you are a genius.
Monday, September 14, 2009
Sunday, September 13, 2009
Kanye West is a Gay Fish....and a Big Meanie!
By now, I'm sure you've all heard about Kanye West's on-stage crash at the VMA's. If you haven't, then you better get out of that rock you've been hiding under! Or you can check it out below:
Sure, Taylor Swift's crappy music video didn't deserve the award, but really Kanye....really... that was uncalled for. Reeeaaal classy.
But the question is, staged or not staged?
If you'll remember a little incident at that recent MTV Movie awards with Eminem and Bruno, we all know how that ended up. I mean, is there anybody who cares about the VMA's, or even MTV, anymore? It wouldn't be surprising if MTV was behind this in order to boost ratings and grab headlines. I wouldn't put it past them.
Or it could've been very well real. Kanye does have quite the ego. I'm also sure he was itchin to find something to rant about. It was only a matter of time.
In either case, pretty pathetic move on either Kanye and/or MTV. If it's publicity that they wanted, well it's what they got! That's for sure!
Sure, Taylor Swift's crappy music video didn't deserve the award, but really Kanye....really... that was uncalled for. Reeeaaal classy.
But the question is, staged or not staged?
If you'll remember a little incident at that recent MTV Movie awards with Eminem and Bruno, we all know how that ended up. I mean, is there anybody who cares about the VMA's, or even MTV, anymore? It wouldn't be surprising if MTV was behind this in order to boost ratings and grab headlines. I wouldn't put it past them.
Or it could've been very well real. Kanye does have quite the ego. I'm also sure he was itchin to find something to rant about. It was only a matter of time.
In either case, pretty pathetic move on either Kanye and/or MTV. If it's publicity that they wanted, well it's what they got! That's for sure!
Thursday, September 10, 2009
Yeah Yeah Yeah's Setlist @ Fox Theater, 9/9/09
Yesterday, I had the pleasure of attending my very first Yeah Yeah Yeah's show at the Fox Theater in Oakland. Needless to say, I was blown away. Karen O is amazing. Anyway, here's the setlist...
Yeah Yeah Yeah's Setlist:
Runaway
Phenomenon
Man
Dull Life
Gold Lion
Heads Will Roll
Pin
Miles Away
Skeleton
Hysteric
Soft Shock
Honeybear
Zero
encore:
Cheated Hearts
Maps
Date With Night
Y Control
Review (and possibly pics) to come sooon...
Yeah Yeah Yeah's Setlist:
Runaway
Phenomenon
Man
Dull Life
Gold Lion
Heads Will Roll
Pin
Miles Away
Skeleton
Hysteric
Soft Shock
Honeybear
Zero
encore:
Cheated Hearts
Maps
Date With Night
Y Control
Review (and possibly pics) to come sooon...
Monday, September 7, 2009
Dead Man's Bones
Did you know that Ryan Gosling had a band? I sure didn't. So, you can imagine my surprise as I found out about Dead Man's Bones.
I guess we're always hesitant with these things because actors dabbling into music doesn't tend to translate so well (here's looking at you, Keanu Reeves). Then again, there are many in the thespian arena who were quite successful with that...I know I was one of the many who dug Zooey Deschannel's lovely venture into She & Him.
Dead Man's Bones is like nothing you would've expected from The Notebook hottie. Together with fellow actor friend Zach Shields, Goslin creates a hauntingly endearing sound using a massive children's choir and a plethora of various of instruments--many of which they don't know how to play. Their music is spooky, but charming; chilling, but warm...think Disney's Haunted Mansion.
Their tunes are definitely intriguing and worth a listen. They've been compared to the likes of Arcade Fire or Bryan Ferry, but I guess you can be the judge of that. You can check out a couple of their songs up on their Myspace.
The duo plan to release their debut album on October 6. That's definitely one that I'll be anticipating.
Sunday, September 6, 2009
Jason Vena Returns??
I've been listening to a lot of Acceptance lately. Heck, I dedicated a whole blog post to them not too long ago.
So, you could imagine my excitement as I read this post on absolutepunk.net. Now, the only evidence we have is this twitter post. Who is this person? And how do we know if it's real or fake?
Anyway, it would be awesome if this indeed were true. Even if this isn't necessarily an Acceptance reunion, it would great to have Jason Vena laying down some new music. His beautiful pipes are just way too good to go to waste not making music.
I will leave you with this, one of my favs off Phantoms.
So, you could imagine my excitement as I read this post on absolutepunk.net. Now, the only evidence we have is this twitter post. Who is this person? And how do we know if it's real or fake?
Anyway, it would be awesome if this indeed were true. Even if this isn't necessarily an Acceptance reunion, it would great to have Jason Vena laying down some new music. His beautiful pipes are just way too good to go to waste not making music.
I will leave you with this, one of my favs off Phantoms.
Saturday, September 5, 2009
Paramore can "Use Somebody"
I guess I tend to post a lot about Paramore. What can I say, they're just plain awesome! Hayley has such an amazing voice, especially when it comes to singing acoustically. Here's Paramore covering King of Leon's "Use Somebody":
Friday, September 4, 2009
SoCo Reunion!?!???
So, I was perusing around absolutepunk.net as I usually do, and happened to stumble upon this scrumptious tidbit. In an interview with Alter the Press, Andrew McMahon discussed the possibility of a Something Corporate Reunion. How awesome would that be!!?!!!
From the Article:
AM: It's something we are talking about. It'll probably be something we put our toe in the water for in the US and see how it goes. I've been talking to the guys and trying to find that right moment. We're sort of coming up to our 10 year anniversary, of when we put out our first set of demos, playing professionally and I know we don't want to miss that for our fans, and for us. We are still really close friends, I think we are just trying to sort out our schedules, but it's definitely possible and something that is in the works.
Let's keep our fingers crossed. =X
Tuesday, September 1, 2009
Hova digs the Grizzly!
So, apparently Jay-Z attended a Grizzly Bear concert this past Sunday, which is pretty cool. Here's the MTV Article which elaborates upon that venture. No word on a collabo, yet, but wouldn't that be great?
While we're on the topic of Grizzly Bear and collabos, check out this collabo feat. Michael McDonald...good stuff... haha.
While we're on the topic of Grizzly Bear and collabos, check out this collabo feat. Michael McDonald...good stuff... haha.
Saturday, August 29, 2009
Wednesday, August 26, 2009
"Ignorance" is my new best friend!
For the past few days, I've been blasting Paramore's latest single "Ignorance." At the moment, I could relate to the lyrics so much. Nitpicking certain lyrics and realizing just how much your situation pertains to them is just the best thing ever! As for my situation... boys are scum... enough said. =p.
ANYWAY, "Ignorance" seems to be getting a lot of airplay on the radio, being on constant rotation in Live 105, at least. Their video for the song presents a new look for the band, a more mature one, if you will, equipped with all-black apparel and corresponding solemn facial expressions.
It seemed like only yesterday when I went to my first Paramore show, with no more than 20 people in the audience... My, have they grown up, in regards to their fanbase and clearly now their physical appearance. Paramore's third studio album "Brand New Eyes" is set to be released on September 29. According to many of those who have previewed the album, the band has done a lot of growing up with their music, as well. Ignorance seems to be a good preview of what's in store, with its darker tone, in-your-face attitude, and straight-ahead rock. I guess we'll have to wait and hear for ourselves once the album gets released.
You can check out Paramore on their tour with Paper Route and The Swellers. They will be playing at the Warfield on October 2. The Live 105 presale starts tomorrow and to the general public this Saturday. Better grab em ASAP, while they're still available.
ANYWAY, "Ignorance" seems to be getting a lot of airplay on the radio, being on constant rotation in Live 105, at least. Their video for the song presents a new look for the band, a more mature one, if you will, equipped with all-black apparel and corresponding solemn facial expressions.
It seemed like only yesterday when I went to my first Paramore show, with no more than 20 people in the audience... My, have they grown up, in regards to their fanbase and clearly now their physical appearance. Paramore's third studio album "Brand New Eyes" is set to be released on September 29. According to many of those who have previewed the album, the band has done a lot of growing up with their music, as well. Ignorance seems to be a good preview of what's in store, with its darker tone, in-your-face attitude, and straight-ahead rock. I guess we'll have to wait and hear for ourselves once the album gets released.
You can check out Paramore on their tour with Paper Route and The Swellers. They will be playing at the Warfield on October 2. The Live 105 presale starts tomorrow and to the general public this Saturday. Better grab em ASAP, while they're still available.
Blast from the Past: Acceptance
The other day, I was listening to Acceptance's final album "Phantoms." That album never ceases to amaze me. I could listen to the album the whole way through for days on end and never get sick of it. Every one of those songs could've been a hit.
It's a shame that the band split up before they hit the big time. They were right on the cusp of success, being signed to Columbia records, with a successful stint on the Warped Tour, playing with the likes of Anberlin, Finch, and The Juliana Theory. I remember in my senior year of high school, they were on a tour with Panic! at the Disco and The Academy Is... I wanted to go to that concert so bad! Unfortunately, I couldn't at the time. Little did I know that they would break up after that tour. I knew I should've gone! To think, they could've been on the same level with P!ATD, perhaps even bigger (and better).
The band broke up 2005, just as "Phantoms" was gaining popularity. Vocalist Jason Vena decided that the rockstar/touring life wasn't for him, and he just wanted to live a "normal" life.
Their flame went out way too early. Acceptance, we hardly knew ye. sigh.
Anyway, here's a video of them playing "Different," one of their few released (and might I add, overlooked)singles, for AOL Sessions.
It's a shame that the band split up before they hit the big time. They were right on the cusp of success, being signed to Columbia records, with a successful stint on the Warped Tour, playing with the likes of Anberlin, Finch, and The Juliana Theory. I remember in my senior year of high school, they were on a tour with Panic! at the Disco and The Academy Is... I wanted to go to that concert so bad! Unfortunately, I couldn't at the time. Little did I know that they would break up after that tour. I knew I should've gone! To think, they could've been on the same level with P!ATD, perhaps even bigger (and better).
The band broke up 2005, just as "Phantoms" was gaining popularity. Vocalist Jason Vena decided that the rockstar/touring life wasn't for him, and he just wanted to live a "normal" life.
Their flame went out way too early. Acceptance, we hardly knew ye. sigh.
Anyway, here's a video of them playing "Different," one of their few released (and might I add, overlooked)singles, for AOL Sessions.
Monday, August 24, 2009
End of Summer 2009 Playlist
Alas, the summer is coming to an end, and the first day of school is approaching. Blech. Anyway, what a better way to end the summer than to create the perfect playlist, one that captures the essence of what has transpired over this funny sunny period of time. There were weddings, great concerts, and Grizzly Bear(s). Oh my.
Here are the songs that defined my summer. Whether they conjure up memories of past events, ran up the play count in my ipod, were inescapable on the radio, or were overall themes to an overall great summer of 2009, these are the songs that stuck out. Enjoy!
Here are the songs that defined my summer. Whether they conjure up memories of past events, ran up the play count in my ipod, were inescapable on the radio, or were overall themes to an overall great summer of 2009, these are the songs that stuck out. Enjoy!
Create a playlist at MixPod.com
Saturday, August 22, 2009
Yeah Yeah Yeah's
It's Blitz! came out earlier this year, but I haven't come to fully appreciate its splendor until now. This album is a lot different from their previous ones. Less gritty New York garage punk, and more electronic dance techno, with more emphasis on the synthesizers and atmospherics. "Zero" and "Heads Will Roll" kick off the album with a bang and are a couple of sexy upbeat numbers that will get you off your feet. "Soft Shock" and "Skeletons" are a bit more mellow and reflective, with Karen O's well-crafted lyricism exuding a close sense of intimacy and vulnerability. The best song off the album would have to be the last "Hysteric." Its probably one of the most upliftingly romantic songs I've ever heard.
Also, if you have the chance to, check out the deluxe version, which includes the acoustic versions for "Soft Shock," "Skeletons," "Hysteric," and "Little Shadow." They're absolutely stunning!
The Yeah, Yeah, Yeah's will be playing at the Fox Theater in Oakland on Wednesday, September 9 and Thursday, September 10. There are still tickets available for both dates. Better get them while you still can! Here.
Thursday, August 20, 2009
Barcelona @ Slim's- 8/13/09
8/13/09, I first found out about
Barcelona’s debut album “Absolutes” was originally released in 2007, but the band decided to reissue the record only recently, revamping a few songs, adding a couple of new ones, and garnering the help of three-time Grammy Award winning producer/engineer Michael H. Brauer to perform some sonic tweaking, taking the trio’s sound to the next level.
The Last Ambassadors, opened up the show, performing to somewhat of a sparse crowd. The local quartet came out looking like a bunch of ragamuffin frat boys. In fact, my cousin and I initially mistook the band for the stage-crew. Whoops. Despite the not-so-great exteriors, the band did have a few catchy tunes and their level of enthusiasm was enough to earn a respectful applause from the crowd.
Seabird was next on board. Vocalist/keyboardist Aaron Morgan captivated the audience almost immediately with his delicately stunning voice. His intimate, yet scruffily raspy drawl was spot-on, drawing in the mass to a hushed awe, shining through especially in his solo rendition of “Falling for You.” The band took the crowd on an emotional ride of poignant ballads. With songs like “Rescue Me” and “Don’t You Know Your Beautiful,” Seabird’s set could’ve easily turned into a sentimental overload. However, the band’s lighthearted presence and playful charm were able to counteract the melodramatics. Hailing from
“Next in line” was Denver-based four-piece Meese. Their brand of rock-infused power pop was a nice change of pace and got the crowd swaying, playing upbeat grooves such as the infectious “Count Me Out” and the title song off their debut album “Broadcast.” Tiny in stature, but immense in confidence, frontman Patrick Meese put on an exuberant show along with his brother Nathan Meese and the rest of the band. Though, the crowd enjoyed Meese for the most part, at one point, the band’s set seemed to drag on a bit too long. With the crowd growing restless, the murmurs became increasingly louder as Meese’s set progressed. The band also wasn’t shy of flaunting their accomplishments, mentioning how they were quite popular in their hometown of
Coming into this concert, I was very curious and, honestly, a bit concerned of how
Boy, did they surprise me!
By the time
Amongst all the “whoooing” during the songs’ breakdowns and synchronized head-banging, these guys clearly poured in so much emotion to the performance. You can really tell how much fun and how happy these guys are to be on stage. As the band got ready to play the Disney-featured “Stars,”
The audience seemed to love every minute of it, whether singing along to Fennell’s vulnerably personal lyrics or being obediently mute as he went into soft ballads, such as the closer “Please Don’t Go,” which proved to be fitting as the audience pulled the band up for an encore. At one point in the concert, some guy in the crowd piercingly shouted, “
Seabird (not complete):
Rescue Me
Don’t You Know You’re Beautiful
Falling For You
Let Me Go On
Tell Me It’s Over
Count Me Out
Broadcast
Margot
The Quiet Side
The Next in Line
Falling Out of Trees
It’s About Time
Lesser Things
Response
Stars
First Floor People
Come Back When You Can
The Takers
Please Don’t Go
--Encore:
Time to Mend
Monday, August 17, 2009
Third Eye Blind- Ursa Major
Oh man, so I've been totally horrible with maintaining this blog, but I swear, this time, I'm going to be more on-top-of-the-ball...I actually mean it this time! =P
You probably best know them for their late 90's smash hit "Semi-Charmed Life," but these eminent alt-rockers have found some new musical life. After a six year break, Third Eye Blind has finally released a new album!
I've always been a casual fan, but it's only recently that I've fallen in love with their self-titled first album. I never realized until now just how awesome their songs are. "Semi-Charmed Life," doesn't do the band justice. Their entire first album is incredibly solid and full of gems: "Narcolepsy," "Jumper," "How's it Going to Be," "I Want You".... and who could forget, "Motorcycle Drive-By".... that has got to be the new theme song for my life.
Anyway, just thought I'd give some local love to these native San Franciscans.
Their album is supposed to be officially released tomorrow, but right now, Amazon is having a great deal. They're selling the album for $3.99, so you better take advantage of it while you still can, you can check it out here.
I haven't thoroughly listened to the album, but I've skimmed it, and I like what I hear so far.
You probably best know them for their late 90's smash hit "Semi-Charmed Life," but these eminent alt-rockers have found some new musical life. After a six year break, Third Eye Blind has finally released a new album!
I've always been a casual fan, but it's only recently that I've fallen in love with their self-titled first album. I never realized until now just how awesome their songs are. "Semi-Charmed Life," doesn't do the band justice. Their entire first album is incredibly solid and full of gems: "Narcolepsy," "Jumper," "How's it Going to Be," "I Want You".... and who could forget, "Motorcycle Drive-By".... that has got to be the new theme song for my life.
Anyway, just thought I'd give some local love to these native San Franciscans.
Their album is supposed to be officially released tomorrow, but right now, Amazon is having a great deal. They're selling the album for $3.99, so you better take advantage of it while you still can, you can check it out here.
I haven't thoroughly listened to the album, but I've skimmed it, and I like what I hear so far.
Thursday, July 9, 2009
Musync- Exsonvaldes
Hello. It's been a while, again. My apologies!
Here's another one of my write-ups for Musync. If you're a fan of Radiohead, you'll definitely dig Exsonvaldes.
Here's another one of my write-ups for Musync. If you're a fan of Radiohead, you'll definitely dig Exsonvaldes.
Style: Alternative, Rock, Pop
For Fans Of: Radiohead, Death Cab for Cutie, Coldplay
Perfect For: Teen dramas such as Gossip Girl and the OC, romantic drama films, scenes that involve heartache, breakups, and depression
For many of us, there’s that period of time after a breakup where all you want to do is isolate yourself from the world and wallow in self-pity, playing the sappiest romance films and love songs. Exsonvaldes’s latest album “Near The Edge Of Something Beautiful” is the musical equivalent of that much-needed shoulder to cry on, acting as a great soundtrack for a love gone awry or a life on the verge of collapse.
Hailing from the City of
“Near The Edge of Something Beautiful” is a fine musical accompaniment for teen dramas and romantic films that include scenes of a downward spiral of misery or an anguishing phase of heartache, where a character reminisces and is nostalgic for a past relationship. Exsonvaldes’s music can supply your film or TV show with the emotional depth that is sure to tug at the heart strings of the intended audience.
Friday, June 19, 2009
Musync- No New Enemies Vol.1
Hey everyone. Here's another one of my write-ups for Musync. This is for a compilation CD called "No New Enemies Vol.1," released by the label Moongadget. It's some awesome electronic music. Go check it out!
Style: Electronic, Experimental, Ambient
For Fans Of: Mogwai, Moby, Depeche Mode
“No New Enemies Vol. 1” is a journey into a dazzling fantasy world of electronic soundscapes, one that transcends time, terrain, and even life itself. With the startling buzz of a soaring airplane, the voyage begins with The Reflecting Skin’s aerial escapade titled “The Roof of the Mouth of the Sky,” which includes a lovely piano melody set against an electronic downtempo drumbeat. The listener is blasted into the future in Mux Mool’s “Death 9000,” a futuristic, bass-heavy dance track, featuring an ominously muddled robotic voice that evokes a mechanical and anarchic doom. Shigeto’s minimalistic “Evergreen” takes the listener into the heart of an electronic forest, filled with awe and depth. The compilation is brought to a close with a couple of folky numbers that both include hauntingly subdued and spacious vocals. With the sounds of faint breaths and desolate strums of acoustic guitar, Praveen & Benoit’s “Death as a Man” conjures up a life slowly and grimly withering away, which is contrastingly followed by Benoit Pioulard’s “Oh, Her,” a lush and layered serenade of a blooming romance. Whatever your project’s electronic-based needs, this widely assorted compilation is likely to have it.
Monday, June 8, 2009
Musync- The Reds
For those of you who don't know, I'm an intern for this music licensing company in San Francisco called Musync (www.musync.com). I've been given the task to write a profile for one of our artists from our catalogue. The name of the band is called The Reds. They're pretty cool, so you should go check them out. Here's the profile that I wrote:
------------------------------------------------------------------------------------------------
**update June 9, 2009**
My supervisor put my piece in the newsletter. Here's how it panned out:
Style: Alternative Rock, Post-Punk, New Wave
For Fans Of: The Rolling Stones, The Velvet Underground, The Doors
Starting in Philadelphia in the late seventies, amidst the emergence of the late New Wave, The Reds have long carved their own venerable niche in the industry, releasing several albums under notables A&M and Sire, and creating a name for themselves with their many other side projects. Guitarist/vocalist Rick Shaffer and Keyboardist Bruce Cohen, the offbeat duo who together comprise The Reds, have worked with the prominent likes of record producer Mike Thorne (Blur, Soft Cell, Wire) and director/producer Michael Mann, having several songs featured in Miami Vice, and writing the scores for two motion pictures, “Band of the Hand” and “Manhunter.”
2007 saw the release of their critically acclaimed album “Fugitives From the Laughing House,” a dark, densely textured post-punk realm of buzzing drones, wailing psychedelic riffs, sinisterly ominous keyboards, and topped off with gritty, unadulterated fervor. Possessing an uncanny resemblance to the tone of rock icon Mick Jagger, Shaffer’s vocals exude a grating ferociousness and brooding sensuality, delivered with a blasé, yet in-your-face confidence
Their latest offering, “Early Nothing,” is a menacing rock n’ roll noir divided into three dynamic acts. The album’s opening track “Big Boy” kicks the first act into gear with chugging, metallic guitars, a pulsating organ, and throbbing pounds of the drum, generating a deafening sonic assault. “Sidebuster” and “Diggin’ It” are two groovy numbers of resonating drum palpitations, oscillating maracas and strums, and glazy synths. “Endless” starts off the second act, followed by “Night Must Fall” and “Laying Low,” slowly creeping in with atmospheric and ambient reverberations, setting a haunting backdrop that shakes the very core of the soul. The Reds then shock the listener from dormancy on the third act, with the intensely driving and forceful “So Long,” all culminating with the finale of “Strangeness,” a gradually festering disorder of static and fuzzy guitars. The best words to describe this album would be electronic chaos, as it simulates the entrance into a hellish madhouse of sound—so listeners beware!
------------------------------------------------------------------------------------------------
**update June 9, 2009**
My supervisor put my piece in the newsletter. Here's how it panned out:
Thursday, May 21, 2009
Apologies for my long absence
Hello [imaginary] readers!
I apologize for my long absence and lack of blogs. It's been quite hectic with work, school, internship, preppin' for my cousin's marriage, and so forth. But I promise that from now on, I shall update this blog more frequently. I have a whole slew of summer concerts in line: Flight of the Conchords, Coldplay, No Doubt/Paramore, Warped Tour, and many more! So brace yourselves for a whirlwind of concert reviews, album reviews, and general music talk by JRRoflcopter!
I apologize for my long absence and lack of blogs. It's been quite hectic with work, school, internship, preppin' for my cousin's marriage, and so forth. But I promise that from now on, I shall update this blog more frequently. I have a whole slew of summer concerts in line: Flight of the Conchords, Coldplay, No Doubt/Paramore, Warped Tour, and many more! So brace yourselves for a whirlwind of concert reviews, album reviews, and general music talk by JRRoflcopter!
Wednesday, January 21, 2009
Hottest Summer Tour of 2009?
Today, No Doubt announced plans for tour in Summer 2009, which will be their first in five years. It gets even bettter! No Doubt has selected Paramore as their opening act!! This will be an exceptional opportunity for the pop-punk youngsters. Other supporting acts (on select dates) include: The Sounds, Janelle Monae and Bedouin Soundclash. Dates and information will be announced soon. Get ready to mark your calendars!
(Taken from Spin.com, Hayley Williams/Gwen Stefani)
No Doubt Announces 2009 Summer Tour With Special Guest Paramore
The Sounds, Janelle Monae and Bedouin Soundclash To Support on Select Dates
LOS ANGELES, CA – Grammy-winning rock band No Doubt announced plans for their 2009 summer tour today.
The band will launch their highly anticipated tour this May, playing outdoor amphitheaters and arenas throughout the summer. Singer Gwen Stefani said, “The whole reason for going on this tour was to have fun, try on all our favorite songs again and to get inspired to make new music. It feels good to be all together again."
No Doubt has selected Paramore as the special guest for the tour. "What a dream tour! We couldn't be more excited to kick off 2009 by touring with a band like No Doubt,” said Paramore singer Hayley Williams.
"Get there early...this is going to a be a great night from the moment the lights go down," said bassist Tony Kanal.
The third act that will open the show will be shared among The Sounds, Janelle Monae and Bedouin Soundclash. Check your local listings for more specific information.
“Now that five years have passed, the excitement level for us is extremely high. We are so fresh and ready! I feel like a kid again when rehearsing these songs,” said drummer Adrian Young.
The 2009 No Doubt Summer Tour will be produced by Live Nation and will include stops in both the U.S. and Canada. The band last toured in 2004, co-headlining with Blink 182.
Tour dates and on sale information will be announced soon. Check www.nodoubt.com for the most up to date tour news.
(Taken from Spin.com, Hayley Williams/Gwen Stefani)No Doubt Announces 2009 Summer Tour With Special Guest Paramore
The Sounds, Janelle Monae and Bedouin Soundclash To Support on Select Dates
LOS ANGELES, CA – Grammy-winning rock band No Doubt announced plans for their 2009 summer tour today.
The band will launch their highly anticipated tour this May, playing outdoor amphitheaters and arenas throughout the summer. Singer Gwen Stefani said, “The whole reason for going on this tour was to have fun, try on all our favorite songs again and to get inspired to make new music. It feels good to be all together again."
No Doubt has selected Paramore as the special guest for the tour. "What a dream tour! We couldn't be more excited to kick off 2009 by touring with a band like No Doubt,” said Paramore singer Hayley Williams.
"Get there early...this is going to a be a great night from the moment the lights go down," said bassist Tony Kanal.
The third act that will open the show will be shared among The Sounds, Janelle Monae and Bedouin Soundclash. Check your local listings for more specific information.
“Now that five years have passed, the excitement level for us is extremely high. We are so fresh and ready! I feel like a kid again when rehearsing these songs,” said drummer Adrian Young.
The 2009 No Doubt Summer Tour will be produced by Live Nation and will include stops in both the U.S. and Canada. The band last toured in 2004, co-headlining with Blink 182.
Tour dates and on sale information will be announced soon. Check www.nodoubt.com for the most up to date tour news.
Tuesday, January 13, 2009
Most Anticipated of 2009
Hey you guys! Sorry for the long absence. I'm just trying to cherish as much of my winter break as I can. Anyway, here are my most anticipated albums of 2009.
Most Anticipated Albums of 2009
2008 was a great year for music. Axel Rose finally decided to come out of his cave and unleash the long-awaited Chinese Democracy. Other metal greats like Metallica and AC/DC proved they still have what it takes to rock out with the best. The generous Trent Reznor delighted fans with a double-whammy of free material, offering The Slip and Ghosts. ‘08 was also the year of electronic dance-rock with astonishing, breakthrough releases from MGMT and Crystal Castles.
2009 looks to be just as amazing, with releases from prominent rock greats such as Green Day and U2. Also, with the ever-changing advancements of the internet and blooming use of innovative digital technology, music of all kinds are more accessible than ever, allowing for many new artists to more easily have the ability to put their fresh music out there for audiences to hear.
Franz Ferdinand
Title: Tonight: Franz Ferdinand
Producer: Dan Carey
Release date: January 27, 2009
>>In an interview with the Scottish quartet, the British Newspaper The Independent reported that the band’s third album would have some African influences. Singer Alex Kapranos stated "The last record was...like a teenager having sex. This one's a bit more assured and a bit friendlier for the dance floor." Expect some more groove-shaking tunes, with an extra side of glazy synths.
Lily Allen
Title: It’s Not Me, It’s You
Producer: Greg Kurstin
Release date: February 10, 2009
>>2008 was a tough year for the British songstress, amidst all the media blitz that surrounded her, of her wild, late-night partying, miscarriage with father Ed Simmons of The Chemical Brothers, topless photos freely available, bouts of depression, and not to mention the well-known public beefs against Amy Winehouse and Katy Perry. Allen has put all that behind her and is ready to take back her title of the raucously witty, unique, in-your-face female artist du jour. With her new album, Allen states that she’s heading in a “new direction,” rationalizing “I did a retro thing last time, And since I did that, a lot of other people did it too. I wanted to separate myself from the group and move forward". We can’t wait to see where this new direction will take her.
Taking Back Sunday
Title: New Again
Producer: David Khan
Release date: expect it early 2009
>>The future of TBS looked rather glum, as crucial member Fred Mascherino departed from the band in order to focus on his solo career. With the introduction of new member Matt Fazzi of Facing New York (who will replace Mascherino on guitar and vocals), the band again breathes new life, aptly titling their upcoming record New Again. Bassist Matt Rubano divulges that the forthcoming album is set to make “breakthroughs in their sound.” He continues, “"On this record, we challenged ourselves to write the best songs we possibly could while trying new things in an effort to push the envelope in terms of what it means to sound like Taking Back Sunday. I think this record has an honesty and an urgency that we haven't achieved before."
Silversun Pickups
Title: Swoon
Producer: Dave Cooley
Release date: expect it early 2009
>> The band identified as the second coming of the Smashing Pumpkins are tucked away in a Los Angeles studio, putting the finishing touches to their follow up of Carnavas, using the same man behind the soundboards, producer Dave Cooley. The album will include 17 tracks. Vocalist Brian Aubert iterates that instead of having a straight forward mid-tempo sound, "some songs are very quiet and delicate, [while] others are just fucking loud."
Yeah Yeah Yeah’s
Title: Untitled
Producer: ?
Release date: expect it early 2009
>>The spunky New York-based trio posted on their website last year: “Will it sound kind of like Show Your Bones? No, been there done that. What about Is Is? Is that more of the direction it's going in? Absolutely not, it sounds very different from last year's EP. Did we go back to our roots and write something closer to Fever to Tell? No, looking back now [is] silly, just full speed ahead. What does it sound like?? Not much like anything you've heard from us before. Does it sound like the Yeah Yeah Yeahs??? You bet your sweet ass it does."
Killswitch Engage
Title: Untitled
Producer: Adam Dutkiewicz, Brendan O’Brien
Release date: expect it Spring 2009
>>After releasing As Daylight Dies two years ago, the metalcore heavyweights entered back into the studio in October and are on track for a Spring release. The band is going for a first this time, as guitarist [and regular producer] Adam Dutkiewicz loosens the reins to let producer Brendan O'Brien step in to assist in the metal foray. KsE will more than likely give us a sample of their new stuff as they embark on the Music as a Weapon tour along with Disturbed.
Circa Survive
Title: Untitled
Producer: ?
Release date: expect it Spring 2009
>>The experimental/progressive rock band have rented a house in
Paramore
Title: Untitled
Producer: ?
Release date: expect it Summer 2009
>>2008 was a whirlwind of a year for these emo/pop-punk rockers. The platinum studded Riot! catapulted the young Nashvillans to the top, as they made their mark everywhere from music to movies to video games, garnering regular rotation on MTV, a Grammy nod, key tracks for the hit movie Twilight, and appearances in the wildly popular Rock Band and Guitar Hero, adding even more pressure to the fledgling group as apparent through their well-publicized internal issues. With personal troubles behind, they are recording in their hometown, and plan to have something in the summer. Singer Hayley Williams reveals that the biggest inspiration for her lyrical formation is life: "[We've been getting inspired by] life, really. It's not one specific instance or record or book or anything. We're constantly taking in new music — that's what we're passionate about — but I think life has given us a lot to say, and I'm really excited…”
All Time Low
Title: Untitled
Producer: Matt Squire, Butch Walker, and David Bendeth
Release date: expect it Summer 2009
>>These young, boisterous pop-punkers did quite well for themselves last year, as they gained popularity with their commercially successful full length So Wrong, It’s Right, coveting treasured spots in (the now-defunct) TRL and Jimmy Kimmel Live, and landing the cover of Alternative Press magazine’s Band of the Year issue, while captivating the hearts of little, teenie fangirls everywhere. Their last album was a tasty morsel of pop punk confection, but, as for the new album, vocalist Alex Gaskarth explains, “We’re just trying to look at writing a great record. Last time, we really did go into the studio saying we wanted to make a consistent pop-punk record. Now, we’d like to just kid of make sure we write good songs.”
Against Me!
Title: Untitled
Producer: ?
Release date: expect it Fall 2009
>> 2007’s New Wave was a polarizing force, dividing the opinions amongst many long-term fans, with cries of “sell-out” being tossed around. The sociopolitical punk quartet spent much of last year on the road, with plans to start writing, and tentatively begin recording in late spring, and towards the end of that year, vocalist/ braintrust Tom Gabel debuted his solo EP, an assorted amalgamation of folk punk rock, not too far from the vein of New Wave. Gabel explains his vision of the upcoming album: “I want it to be the next logical step, and I want it to be something different…I can guarantee it won’t sound like New Wave, and I can guarantee it won’t sound like anything we’ve done before.”
Here are some tentative speculations. Though many are said to have been working on some new material, a release this year is totally up in the air. Let’s cross our fingers we’ll get at least a tiny taste from these preeminent bands:
Brand New
>>The band’s website announced that they had been in and out of the studio since about March, with roughly fifteen tracks to play with. During an acoustic concert on July 17 with Kevin Devine, frontman Jesse Lacey debuted some of the first material from their upcoming album.
Radiohead
>>What else is there to say about this band? With their revolutionary release of In Rainbows, these rock heavyweights are at the top of their game. Of course, absolutely any piece of news about them would be of interest to everyone. The Fly (of the
Glassjaw
>>These post-hardcore legends’ next full-length has been expected for a while now, and fans are skeptical of it ever being released. They have posted little tidbits of new material up on their website, including "You Think You're John Fucking Lennon.” From our understanding, most of the group have completed their parts for the new album, they’re just waiting on the vocals. C’mon Daryl, throw us a frickin’ bone here…please! Well, here’s hoping they’ll give us something, at least, by the year 2022.
Muse
>>In a Q&A with fans on the official Muse message board, bassist Christoper Wolstenholme stated that "It would be nice to have the album out in the second half of next year (2009) but we have not set ourselves any targets. It is more important for us to make the best album we have made to date and if that means it comes out in 2010 then we don’t mind. Hopefully it will be sooner though".
Deftones
>>These metal juggernauts have been working on the new album since Fall 2007, and started recording on April 14, 2008. The making of their next release titled Eros has been well-documented, as the band posted a number of videos on MySpace and their blog, showing the recording process. They have been well into the mixing stage. On November 4, 2008 bassist Chi Cheng was involved in an unfortunate accident, resulting in a coma. We’re not quite sure how Chi’s condition will affect the release, but keep up those prayers for him.
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